Monday, December 31

Receptive

"Receptive"
12" x 12"
Oil on wrapped canvas
Although, seemingly, this rose did nothing but sit in front of me tonight, she was, in fact, receptive to all of my senses — being adored through sight, being smelled, being touched, and yes, even being tasted.  As my last painting of the year, she was thoroughly enjoyed. 

I purchased seven canvases from a particular manufacturer this week. When I blocked in this rose today, I stopped painting and went back to the store to buy twenty-eight more. The surface is so receptive to paint, the way I love to apply it. Painting this rose was a joyful experience!  I look forward to many more evenings like this ... with great joy!

Carol

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Saturday, December 29

Rye, Wispy

"Rye, Wispy"
6" x 8"
Oil on hardboard
I tickled my own fancy with the title of today's painting. It was just going to be "Wispy," but when I looked at the field of ... rye, I couldn't help myself.  I'm being silly, of course, but I'm allowed. It's my blog! 

I worked on two knife paintings this morning and made messes of both of them. So I decided to write a short story instead. Once it was under way, another painting, this one, came easily.

Carol

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Friday, December 28

Three Special Friends

"Three Special Friends"
24" x 24"
Oil on museum wrapped canvas
These beauties were in a bouquet in front of me at a birthday party a year or so ago. I admired them from every angle, turned the vase to change the shadows and highlights, envisioning them as art.  When I was ready to leave, the host plucked them from the vase and handed them to me. 

As an artist, my signature work is large flower paintings, roses in particular. I've painted single blooms frequently, but seldom do I cluster them together. Nor do I paint them in such a low key palette. Dark. This piece was different for me. But so were the circumstances under which I painted them.  You see, I've been on vacation, and I feel ... terrific!

Carol

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Thursday, December 27

Heavenly

"Heavenly"
8" x 10"
Oil on canvas panel 
There were clouds, and colour and light and things were changing, happening so quickly I could hardly keep up!  It was heavenly to paint quickly, with reckless abandon — loving every minute!  

A sky! I've been working on a big rose painting, but wanted to let you know I'm still here.  

Carol

Sunday, December 23

Reflecting

"Reflecting"
10" x 8"
Oil on canvas panel





















There were bushes at the edge of the lake on the distant shore that had turned yellow and red before any on my side of the lake. I saw them that morning and decided to document them with only a few strokes.  

Quick, thick and juicy brush studies are fun to paint in thirty minutes or less. They loosen my hand, my heart and my mind for whatever I'm about to paint. It's an exercise that happens to become something tangible.

Carol

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Saturday, December 22

Soft Pansy

"Soft Pansy"
10" x 10"
Oil on Hardboard
In my state they plant pansies as fall flowers in corporate gardens because of their hardiness in cool weather.  On account of our extended fall, the pansies flourished in my zip code this year. It was nice to see purple and pink in the fall instead of just oranges and golds.  

Even after yesterday's snow, there were still little monkey faces smiling through the pine boughs and bayberry branches in front of the UPS Store this evening.

Carol

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Friday, December 21

Ear Ya Go

"Ear Ya Go"
6" x 6"
Oil on hardboard
What delighted me about this ear and the first one was the similar fold or crease they each have in the lobe. Two random ears, with a similar fold. I Googled earlobes to see if this is common. Nope.  The universe is up to its tricks. 

Carol

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Thursday, December 20

Ear Ye, Ear Ye!

"Ear Ye, Ear Ye"
6" x 6"
Oil on hardboard 
It may have seemed like an idle threat when I wrote last night that I'd like to paint ears for my next series, but I followed up on it. I really enjoyed painting this one, and I have a rooster to thank for it.  

If I'm going to call it a series, I get to find another ear or two to paint. Not a problem, right? Well, let's see how many willing volunteers I find. It's a little out of the norm, I'd say.  Friends, Followers, Countrymen, send me your ears... left ones if possible.  

Carol

Wednesday, December 19

Chanticleer III

"Chanticleer III
6" x 6"
Oil on hardboard
I enjoyed painting this rooster's portrait. He's in nearly the same pose as the one from last night, but he wears different coloured plumage, beak and ear.  I think it's an ear. It's where I'd put an ear if I were designing a rooster. I'm fond of ears. Maybe I'll paint ears for my next series.  

I painted the background on yesterday's rooster first, then the bird. Today's bird was painted first, on a toned background, then I brushed in the background colour around the bird. Either way works. 

Carol


Tuesday, December 18

Chanticleer II

"Chanticleer II"
6" x 6"
Oil on hardboard 
Portraits of people are not my strong suit, but I happen to enjoy painting roosters now. Here's one a friend sent, and another will follow.  In the process, I'm feeling a lot better about my own face in the mirror.  Yikes! To look at this every day would take some getting used to. 

Carol

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Sunday, December 16

Shoreline

"Shoreline"
8"x 16"
Oil on panel 
The water that morning was Jell-o-still and about as festive. I stood with my camera posed at the magenta puffs and clicked as they squandered their colour.  There's always room for ... colour.  

Carol 

Saturday, December 15

Paused

"Paused"
5" x 7"
Oil on hardboard
Atmosphere like this is as fleeting and ephemeral as most pleasurable moments. The joy in painting a scene like this is a lot like pausing a video at a favourite scene and partaking of its essence for as long as it ... takes.  

I paused a few times today to capture the beauty of this place. The season and the time of day were both instrumental in creating a likeness I could almost turn an ear to and hear.

Carol

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Friday, December 14

Daylight Come

"Daylight Come"
6" x 6"
Oil on hardboard
Yup, Harry Belafonte's Day-O, or the Banana Boat song.  It's a work song that the dock workers would sing while working the night shift loading bananas onto ships. Daylight has come, the shift is over and they want their work to be tallied so that they can go home.  

With so many skies under my, um, belt, titling them gets tricky.  Pardon my goofiness. 

Carol





Tuesday, December 11

My Lady Love

"My Lady Love"
20" x 16"
Oil on Hardboard






















Like a mistress awaiting her lover, she languished quietly until the bristles of my brush began stroking her dark crevices, her milky highlights. That's when this beauty came to life.

I hankered, yearned, longed to paint this rose while I was busy with other projects. White roses are my favourite subject matter because of all the colour in the shadows.  

Carol

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Monday, December 10

The Maroon Bells

"The Maroon Bells"
30" x 38"
Oil on Hardboard
Unless there are changes from my clients, this will be the final posting of The Maroon Bells, two of the "fourteeners" in Colorado. It's been fun to show you the progress as I've painted this piece for them. Thank you for your comments throughout the process. 

Carol

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Sunday, December 9

Spring Rain

"Spring Rain"
6" x 6"
Oil on Hardboard 
A morning rain trickled over the verdant field across the way.  It would be the only moisture for a month.  We wished it would have been more when we looked back at the drought-stricken summer. We were lucky to have received that sprinkle that day.

As I dread the first snow in my area, I remember how dry our summer was, and realize the selfishness of my wishes.  Bring it on, Old Man. Give it your best shot. Make it a good one while the novelty of white stuff will be received with a freshness and zeal we won't have in February.  

Carol

Saturday, December 8

Nestled

"Nestled"
6" x 8"
Oil on Hardboard
I visited a home a few days ago that had a nest like this displayed under a bell-shaped dome. I became so infatuated with the nest, cut from branches in her own yard that I had someone photograph it for me. This is something like her nest, but as we know, each one is a work of art that can't really be duplicated.  

I adore these tidy, woody vessels where some of nature's most fragile elements get to tenant safely.

Carol

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Friday, December 7

Come Springtime

"Come Springtime"
10" x 10"
Oil on Hardboard
Wishful thinking keeps me smiling.  It's just too bleh outside for my liking. Too chilly, too damp, too all the same shade of grey.  I could even go for some midwestern, field-greens.  Like this springtime fantasy.

It's another sky, but this one is larger than my standard six inch beauties.

Carol

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Thursday, December 6

Split Complement

"Split Complement"
6" x 14"
Oil on Hardboard
A box of pears arrived at my door this week.  Not only was I excited to eat them, my friend sent me models!  I painted a lot of them last December when friends blessed me with the season's finest.  'Tis the season!  

What goes with yellow green?  I consulted my colour wheel and found the split complement to be red and violet.  Yum. Two of my favorite colours.  I even made the board a combination of the two. 

Carol 


Wednesday, December 5

More Progress

"More Progress"
30" x 38"
Oil on Hardboard
The Maroon Bells painting is STILL not finished.  I have a few more days of adding trees, mountain details, reflections and tweaking to do before I sign my name to it.  

Carol

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Tuesday, December 4

See the Light!

"See the Light!"
5" x 12" 
Oil on Hardboard
Mama Cass Elliot sang "...the darkest hour is just before dawn." What she implied is it gets a lot brighter after all that darkness. Come on now, let's get out of the winter funk.  Soon it'll be white instead of sepia, and our eyes will be filled with light again.  These grey days are just -- so -- hard.  

I'm talking to myself.  I needed a pep talk, and who better to deliver it than the person who knows exactly what it's about.  The person who can get to the heart of the matter.  Moi.  

Carol 

Monday, December 3

Sepia Winter

"Sepia Winter"
6" x 8"
Oil on Hardboard
I'm coming to grips with grey sticks poking into the sepia sky.  Not really. My hands ache at the thought of serious cold. My body shivers and my eyes aren't adapting to so much darkness. Soon enough, on my birthday, in fact, we'll reach the pinnacle of darkness and begin the descent down the light side of the slope. 

I was compelled to get this one out of my system. It happened almost like a dare. Do it. Just paint the trees and the lake and the dismal sky in sepia and burnt sienna.  Do you ever listen to your inner voice?

Carol

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Sunday, December 2

Work in progress

Work in progress
30" x 38"
oil on hardboard
The Maroon Bells commission piece is progressing nicely.  It's useful to photograph it and look at it in miniature, like this, from time to time, too.  I see things when it's down small that would otherwise be missed.  I also drop the colour, too, so it's shades of grey—useful in checking the values—lights and darks. 

Carol

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Saturday, December 1

Sentinel

"Sentinel"
10" x 10"
Oil on hardboard
The house was gone, a small barn stood next to the helmeted-sentinel that guarded the edge of the property.  It was cold, too cold to paint on site, so I photographed the shivering duo, and wandered back to the comfort of my warm vehicle.  

December is here. I'm bracing for a long winter.

Carol

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Friday, November 30

Softly Foggy

"Softly Foggy"
10" x 10"
Oil on hardboard
The thing about fog that sometimes delights me is the way it renders everyone who looks into it "in need of glasses." I don't suppose that's an accurate description, but it sure seats us all in the same boat. Nobody is better at it than anyone else.  

It will be foggy by the time this posts. Dumb luck, not by design.  I painted this in the bright light of this wintry day, that looked not a thing like what you see here.

Carol

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Thursday, November 29

Tulip Time

"Tulip Time"
5" x 5"
Oil on wrapped canvas

I'm thinking of spring tonight, what with a luscious full moon overhead. Foolish of me to do it, I know, as I've not even seen the first flake of winter. Yet my eyes are ready for color again. I'm already weary of grey sticks poking into grey sky. 

Painting my fantasy has helped.  It's a sweet little fantasy, filled with color and life from a spring day at the Chicago Botanic Gardens.

Carol

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Wednesday, November 28

Progress

"Progress"
30" x 38"
Oil on hardboard





















Here's a section of The Maroon Bells that I'm working on. The mountain is in strong light, the shadows are dark and the snow is bluish. It's a process of applying paint and glazing color upon color. It's taking time because of the size of this piece... but F U N!  

Carol

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Tuesday, November 27

Ballerina Blossoms

"Ballerina Blooms"
5" x 7"
Oil on wrapped canvas






















They were simple in their beauty, fragile like ballerinas on point, curtsying to the audience as applause fluttered their delicate petals.  

This small piece is my offering tonight while my big painting looks ... horrid!  I can't post the progress when it looks this bad.  It's entirely normal for this stage of the game, but it might make my clients faint dead away.  Nope, I'll photograph it when it looks a wee bit more composed.

Carol

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Monday, November 26

At the Divide

"At the Divide"
6" x 14"
Oil on hardboard

I'm sitting in front of one of my most favorite places to paint and to be — the Continental Divide in Winter Park, Colorado.  It's a source of comfort—like macaroni and cheese is to some people.  If I need shoring up, all I have to do is scroll through my photos of this little pond and I can reflect on great memories and loving thoughts.  I hope you have such an image, or a place of your own.  

I gessoed 41 new hardboard panels today. Busy work. Tomorrow—REAL work—back to The Maroon Bells!

Carol 


Sunday, November 25

Dawn Over the Lake

"Dawn Over the Lake"
8" x 10"
Oil on canvas panel
Morning crept in as usual; colourful, radiant and mystical, with no apparent sign of turmoil. Yet some had been brewing off shore, so very far away. How strange to hear of it, when it was so beautiful here. 

Lake Michigan is such a lovely place to see dawn. I'm glad I live near enough to her shores to enjoy the show on occasion.

Carol

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Saturday, November 24

Good Morning, Sun

"Good Morning, Sun"
5" x 12"
Oil on hardboard panel
 
The morning sky was showing off the day that I saw her looking like this.  So many colours with which to greet the rising orb.  Applause never looked so good.  

Here's tonight's offering of sky while I paint mountains.  Thank you for looking.  

Carol



Friday, November 23

Detail, work in progress

"Detail, work in progress"
30" x 38"
Oil on hardboard
Here's the waterline with the beginnings of trees for The Maroon Bells painting.  I'll continue to paint and alternate skies and mountains during the process. 

Carol

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Thursday, November 22

Sandy's Red Warning

"Sandy's Red Warning"
5" x 12"
Oil on hardboard
My daughter sent me a photo of the sky over western New Hampshire the morning Sandy hit. Someone she knows took the photo and sent it to her.  This testifies to the first line of the poem I quoted the other day...  "Red sky in morning, Sailors take warning."  It's graphic enough for me!   

While I work on my commission piece here's something different to look at. I'll post more of The Maroon Bells tomorrow.

Happy Thanksgiving to those of you who celebrate it today.  I'm thankful for all of you who come to this place to see my art.

Carol

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Wednesday, November 21

IN PROGRESS

IN PROGRESS
30" x 38"
Oil on hardboard
The mountains were not prominent enough for my clients, so I brought them a little closer. Would that I could move mountains in my day to day life!  

I've applied a base coat of color to the whole panel with my little snippets of sponge.  Tomorrow I'll employ my Rosemary & Company brushes to chisel out some of the details that will begin to bring The Maroon Bells to life—stroke by stroke.

Carol

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Tuesday, November 20

Watery Dawn


"Watery Dawn"
5" x 12"
Oil on hardboard  
Dawn lifts her silky veil to reveal the blush of a new day. Doze a few moments too long and you'll miss her show altogether. Best begin sipping your coffee in the darkest hour... and wait. It'll be worth your while.   

When I had the panel cut for my commission piece, I asked that the rest of the board be cut into some different shapes and sizes. I've gessoed dozens of new panels to explore some familiar subjects in new formats.  

Carol


Monday, November 19

Sailor's Delight

"Sailor's Delight"
6" x 6"
Oil on hardboard
My first mother-in-law spoke in rhyme all the time. She learned her lessons as a child and repeated them throughout her life. Hers was a time of memorization, not of Googling. I learned weather warnings, vowel placement and what to ride to Banbury Cross from her. 

My offering this evening is a sky while I work on my commission piece. You'll see more of it tomorrow.

Carol

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Sunday, November 18

Artichoke

"Artichoke"
16" x 20"
Oil on hardboard panel 
A friend sent a photo of an artichoke the other day.  It was head-on—looked like this; green as Kermit, but the shape of a burgeoning rose.  I cropped it, drew it and squeezed out my greens and reds and grabbed a sponge.  Since she looked like a rose, I'd paint her like a rose. 

I lay down the first wash of most of my large paintings with a sponge. Most of you who have been with me for the year and a half I've been blogging know that. Consecutive layers of color also go on with the sponge, a little snippet of it, and only the small or fine lines are brushed on.  I enjoyed this one... a lot!  I'll bet she was a good eat, too.

Carol

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Friday, November 16

Work in progress



"The Maroon Bells"
Oil on hardboard
30" x 38"



























I've been commissioned to paint The Maroon Bells in Colorado.  I painted a palette knife version of them a few weeks ago and a couple saw it on one of the daily painting web sites, and wrote to me.  We've been communicating and I began the project today.  It's a large piece, on a panel, and will be framed when it is finished.

The panel was gridded in pencil and drawn with burnt sienna.

I painted the sky with French Ultramarine blue, then added cobalt and horizon blue, similar to their photo reference.

The block-in of the middle ground vegetation is started.  Big shapes...

Carol

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Wednesday, November 14

Serene

"Serene"
12" x 12" 
Oil on wrapped canvas
Across the lake, way on the other side is where I think morning originates.  How small of me to limit my thoughts to only as far away as my thoughts wander and linger.  But I think it's human nature to keep enormous concepts like orbits and the cosmos in human scale. Well, it's my nature, anyway.

I painted this sky and yesterday's on canvas to see if I could. All the skyscapes I've made have been on panels. I think my technique worked well enough to take sky to the next level.  I'm going to try to expand my soft skies to include soft solid forms, too. I'll ease into it, but know it's coming.

Carol

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Tuesday, November 13

Quiet

"Quiet"
12" x 12"
Oil on wrapped canvas 
There had been so much going on; planning, laughter, cooking, conversation, entertaining, frivolity, feasting, then nothing but quiet. The quiet of a household after a five-day party is often as unnerving as the commotion of a full to overflowing house. This painting depicts what it felt like when they all left. Quiet. 

My family celebrated a fifteen-year tradition of Faux Thanksgiving over the weekend. Friends and family came to eat turkey and play for five days.  It happens two weeks before real Thanksgiving every year.  And every year it gets louder while they're here and quieter when they leave.  For all of this, I am thankful.

Love,
Carol

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Monday, November 12

Withering

"Withering"
6" x 6"
Oil on canvas panel
The second leaf to flutter from Mark's tree landed later the same day, after I found the first red leaf.  It was already closer to becoming compost than that first one.  The turning curls of leaves have always delighted my eyes.  Leaves are like fabric, in that their backsides are seldom the same color as the front... thankfully, or it would make painting them less interesting. 

Carol

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Sunday, November 11

Grapes

"Grapes"
8" x 8"
Oil on canvas panel
I eat a lot of grapes. They replaced mangoes, which replaced cherries waaaaay back in summer.  I don't think grapes go out of season, but they may not be as good as they are right now. I adore the globe table grapes I'm finding at Whole Foods. They are LOUD to eat, though. I'm always startled when the skin pops and the juice flows under my tongue, or down my chin if I'm laughing on account of my noisiness.

Another pre-painted panel. I made about ten of them one day.  I work like that, at times; do all one kind of thing, assembly-line style.

I love that you come to visit me.
Thank you.

Carol

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Saturday, November 10

Daybreak

"Daybreak"
6" x 6"
Oil on hardboard 
Maxfield Parish titled one of his most popular paintings with this very same word.  His, of course is so much more, um, famous and filled with light, people and columns.  All we have in common is one tint of blue-violet. But it's STILL Daybreak.  

Carol 

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Friday, November 9

Morning Fluff

"Morning Fluff""
6" x 6"
Oil on hardboard 
The sun rose in the usual way that morning, but I slept right through it. Someone described it to me, so I used that information to paint what I imagined it looked like.  No matter, it pleases me anyway. 

Carol

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Thursday, November 8

Homage to Wolf Kahn

"Homage to Wolf Kahn"
11" x 14"
Oil on wrapped canvas
One of my followers mentioned Wolf Kahn in a conversation we had over the weekend.  She told me she was a fan, so I described this painting, and promised to post it.  Here it is for everyone to see. If you know the title, please let me know. 

In an attempt to simplify my work, a few months ago, I painted a copy of one of Wolf Kahn's images.  I don't recall the title, but it was in the palette of colors I wanted to explore, so I copied it relatively closely.  Understand, it's not my own composition or subject matter, but a copy.  Have you ever known me to paint like this, besides?

Carol

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Wednesday, November 7

Purple Haze

"Purple Haze"
8" x 10"
Oil on canvas panel 
Two ginkgo leaves tumbled across the path where I found a maple leaf the other day.  They tumbled because they had withered and curled. I'd only seen these leaves flat and sprinkled like gold coins spilled from a parking meter.  I brought them in and drew them before they curled into cocoons or spooned like lovers.  The purple haze is a glazed complement to the golden leaves, and placed on another of my textured backgrounds.  

Carol

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Tuesday, November 6

Maple

"Maple"
6" x 6"
Oil on canvas panel 
The trees are bare in my zip code, except for one maple in my neighbor's yard. He's been waiting for a month to tend to them. They've been reluctant -- no, rebellious about letting go until it's too cold to rake, and the village no longer picks up leaf bags.  Yup, this is one stubborn maple, and here's the first leaf to fall from it.  I picked it up while walking my dog today.  Adamant, I say!  

Carol

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Monday, November 5

Turban Squash

"Turban Squash"
9" x 12"
Oil on canvas panel
I had never touched a turban squash, let alone painted one, yet I plan to eat this one now that I've done both.  Apparently designed by a committee of fashion engineers, this beauty is cinched in at the waist in an attempt at containing her ample girth. Tres chic? Not hardly, but I'll bet this fat lady can sing! 

The background is another of my previously-painted panels, made just for displaying a single subject such as this.

Carol

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