Hopes and Dreams

"Hopes and Dreams"
6" x 9"
Watercolor on Yupo

In preparation for my visit to Ghost Ranch in New Mexico, I'll be doing a series of landscape sketches to capture the essence of the sky, rocks and vegetation. I'm unaccustomed to the shapes and colors of the subject matter, so I need to figure it all out. 

Put it down, let it puddle or play with it. It doesn't seem to matter. I can move paint around for the day if I want to with this "paper." It's fun to play, but I need to think about the economy of strokes and time spent on a … sketch.

Carol

Brushstrokes@comcast.net
CarolKeene.com
Dailypaintworks.com
Daillypainters.com

Impression-Scape

"Impression-Scape"
5" x 12"
Watercolor on Yupo 

The simple landscape was appealing yet intimidating as I taped the "paper" to my drawing board.  No easel here… gravity has her way with this material, more than ever before. 

The purpose of this painting was to see if I could do the natural progression; to paint something else I've done before, just not on this ground. I like the Impressionistic strokes that occur easily. I'll be doing more of these.

Carol

Brushstrokes@comcast.net 
CarolKeene.com
Dailypaintworks.com
Dailypainters.com

PlayTime

"PlayTime"
7" x 8.5"
Watercolor on Yupo 

I'm returning to my roots — my artistic roots. I taught myself to paint watercolors while I was in college to become a chemist. When THAT didn't work out, I became a wife and mother and continued to dabble in watercolor. My dabbles looked like the image at the bottom of today's post, back in the day. And now I'm playing with new products and they make me paint like… this!  

I spent some time this afternoon puddling, stamping, stenciling and playing with traditional transparent watercolors, a brush and a Winsor and Newton watercolor sticks. They look like the hard pastels I use, but these are pure pigment watercolors. They can be drawn on dry paper or wet, squiggled into a puddle on a palette and made into a brush-able mixture.  The pure pigments of the sticks impressed me. The yupo paper (actually plastic) is a lot like painting on a gessoed surface. The paint stays and dries on the impenetrable surface.  If it isn't to your liking, just wipe it with a tissue, Q-Tip or put the entire thing under the faucet and bid it adieu.

More tomorrow.

Carol

Brushstrokes@comcast.net
CarolKeene.com
Dailypaintworks.com
Dailypainters.com

In Praise of Sunlight

"In Praise of Sunlight"
24" x 36"
Oil on wrapped canvas

On June fifth of last year the sun performed her duties brilliantly by lighting this peony so that I could document her for this large painting in the middle of January. This large painting took me several days to paint, unlike the small pieces I normally do to post. 

I bet you thought I was on holiday in some balmy paradise.  Nope. That's next month.  And in preparation for that trip, I've been experimenting with some new watercolor products. I hope I have something interesting enough to post in the next day or so.

Carol

Brushstrokes@comcast.net
CarolKeene.com
Dailypaintworks.com
Dailypainters.com

Morning Prayers

"Morning Prayers"
22" x 28"
Oil on wrapped canvas

Color basted morning like butter over a turkey. 

I've been painting, in spite of the appearance of my blog. I painted fifteen skies on one large canvas over the past several days. I used a limited palette of two reds, two blues, two yellows and white to make up this prayerful piece.

Carol

Brushstrokes@comcast.net
CarolKeene.com
Dailypaintworks.com
Dailypainters.com

Painted Lady

"Painted Lady"
20" x 16"
Oil on wrapped canvas

Her nails were painted in all the warm colors of that evening's sunset. She was resplendent as she opened her petals to the New Year, exuding a sensual warmth from her core. 

This is my first large painting in a while. I photographed her a year ago in a greenhouse at the Botanic Gardens, but wasn't up to painting all those different colored points with an eyelash brush… until now. The greens were painted yesterday and all the reds and yellows were painted today.  She was as enjoyable as I anticipated. I'm especially fond of the prickly pears in the top background. They are exactly how I wanted them to be… succulent.

Carol

Brushstrokes@comcast.net
Carolkeene.com
Dailypaintworks.com
Dailypainters.com

Gold in Them Thar Hills

"Gold in Them Thar Hills"
6" x 6"
Oil on hardboard

The setting sun plated the distant hills with the look of gold leaf, like the capitol domes in many cities. The gold was a fleeting illusion, but probably what prospectors dreamed of back in the day. 

My first post of this New Year is not quite what I had planned, but my next one will be worth the wait.  I'm working on a cactus that is not quite a one-day painting. I needed some drying time to place the prickly spines and background flowers. Hopefully it will dry enough overnight to finish it.

Carol

Brushstrokes@comcast.net
CarolKeene.com
Dailypaintworks.com
Dailypainters.com